The Ballantyne Coat of Arms , Teak, Early 19th century.There are lots of great stories relating to English titled families sending instructions to China to have dinner services made for them and the amusing results when things are lost in translation. I guess this is where the the phrase "Chinese whispers" comes from. One I particularly like, is the one with arrows pointing to the armorial indicating what the colours should be. You can guess what happened. These little notes ended up being incorporated int the design.
This is the first time I have seen this happen on a piece of carving.
This fine piece would have been commissioned by a traveller to the East and at a glance all seems good. When you look closer you realise that the Gryphen should be facing the other way and one of the mullets ( armorial speak for stars) is missing. Also the first 2 letters of Tarde are missing. It being such an exact science this would have an armorialist spitting feathers.
What particularly tickled me though were the angels. Not only do they have the most wonderful Chinese faces and are adopting a pose no self respecting angel would dream of assuming on something as formal as an armorial but these two amply chested angels are definitely of the female persuasion rather than the more androgynous angels found in European art.